Monday, March 25, 2013
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Awhile back, I posted on my love of and fascination with Dick Luppi's album artwork. That post can be found HERE. His son was kind enough to comment, and he noted that I had overlooked Herbie Mann's Lp, "The Beat Goes On". In all my years of thumbing through records, I hadn't come across the this album by the well-know jazz flautist. Thank you, Christopher. I'm sorry for your loss. Your father was a talent.
I'd be interested in knowing if there was any other commercial work completed by Mr. Luppi. I really dig this style and period.
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art,
design,
music
Monday, February 20, 2012
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I'm really quite stoked on my good friend's recent acquisition. I've wanted to ride the Channel Islands Merrick Single Fin (MSF) for some time now. Looks like I'll eventually get the chance. I must say it looks great with the Christenson skull logo'd fin.
Speaking of skulls... last weekend I was working at a Richmond area doctor's office. In the waiting room, they had hung framed anatomy drawings. Each of the various anatomical illustrations were printed on dictionary pages. I'm not sure if this is something custom or that you could pick up at CB2, but I thought it was pretty cool:
Saturday, October 15, 2011
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On the way home from work the other day, I got to thinking about what my answer would be if I were asked what was my all-time favorite album cover. The first one that popped into my head was Chick Corea's Tones for Joan's Bones on Vortex. I bought this album purely on aesthetic from the Princeton Record Exchange years ago. It was and is still sealed. At the time, I wasn't a big Corea fan, but have since come around some, and listen to his Innerspace album on occasion. Innerspace also happens to have the all of the "Tones..." tracks on it. Allmusic.com likes the album quite a bit.
So when I got home, I pulled out the Lp along with Dave Pikes Doors of Perception which is also on Vortex, an Atlantic subsidiary. Doors is a rather interesting album, and literally could be labeled as jazz psychedelia with fuzzed out vibraphones, echo chambers and piped-in recordings. Allmusic also gives it a pretty strong review. Check out an audio sample of the title track below. I had pulled Pike's Lp along with Corea's because I was certain that the artwork was created by the same artist, and that turned out to be true. The illustration credit is given to Dick Luppi on both albums, and Roy Ayers' Virgo Vibes (also pictured above). All three albums were under the art direction of Atlantic's go-to guy, Haig Adishian.
While the psychedelic style suits the time period (late 60's), it was an unusual, and rarely utilized medium for jazz. Luppi's work was well-chosen for these three albums; it very-much compliments the sound pocketed inside. I wanted to see more albums and art by Luppi, and figured the internet would be fruitful. However, even creative searches came up short. These three Lp's are the only I could find, and there was no information on the man himself. I'm guessing and hoping he did more than these albums. If anyone knows more about this talent or other Lp's inked by him, please let me know.
Wednesday, October 20, 2010
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Because cool weather is upon us, I decided to compile an upbeat punk/rock/beaty mix for all you shredders: mountain, document or otherwise. As always the tracks are tagged, labeled, pictured, and whatnot in iTunes. Just download, play & get energized. Enjoy!
Thursday, August 26, 2010
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There was no questioning my excitement about visiting the Baseball Hall of Fame. Like many, I was a kid who grew up collecting cards (old and new). I also followed and played baseball. Initially, I was thrilled with having the opportunity to see amazing artifacts like Babe Ruth's jersey or Honus Wagner's T206 card, but my experience ran deeper than that. The nostalgia of "America's Pastime" resonated strongly with me. Hats off to the curators for they have done an excellent job of telling baseball's story. The sport's history is long, and the museum gracefully highlighted how baseball has intertwined and changed with significant eras of America's social and political history. You need not be a fan of the sport (maybe of American history) to enjoy the Hall of Fame. I had a blast. I'd go back tomorrow if you asked me to.
When it comes to design, in my opinion, baseball has been always been the tastemaker of sport. Their use of font (especially script), logos, and overall branding have, for the most part, been exquisite. I love old logos, so naturally I took many photos of those that have been favorites of mine since I was a little leaguer.
Friday, June 11, 2010
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My musical selections are definitely driven by the season.* It's pretty much inevitable that when the weather begins to warm up, I start listening to more and more sun-drenched rhythms. So far this summer, it's been reggae dominated by rocksteady staples. Here, I've assembled songs that have begged me for multiple listens. Thrown in are classics, twists on classics and a few under-the-radar selections for you to enjoy. Crack open a lager or pour yourself a cool glass of water, throw those feet-up and take-in the breeze. Hopefully, you have one.
Monday, May 24, 2010
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As we are well into the warm-water months here in NC, the (above) full suit and gloves probably looks a little out of place. I guess this is just a good example of my proclivity to procrastinate. Anyway, back in March, the family and I made a trip out to Wilmington to see an old friend and spend a little time at the beach. The kids and I were digging in the sand when we saw a fellow stroll up with a couple of alaias tucked under his arm. While these crafts are increasingly popping-up in videos and on the web, I hadn't seen one out this way. The rider and shaper (and musician) introduced himself as Jason Andre. He's been shaping the boards under J sun Alaias (now linked on the right) out of paulownia wood from South Carolina. At the time, Mr. Andre was about to begin selling them at Surf City Surf Shop in Wrightsville. So be sure to look for them next time your in. I asked him if it was cool to take some photos of the cold water (51 degrees F) session, and he obliged. Enjoy!
His alaia blog has some nice (and warmer) shots of some solid surfing on his craft. Also, visit his music website and myspace page, and support some local progression. Nice to meet you, Jason! Keep it up!
O.Y. ("Oh Yeah"): The reggae comp has been compiled... I just need to upload it. Thanks for the reminder emails. Stay tuned.
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art,
design,
photos,
surf
Tuesday, April 13, 2010
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Rad little teaser of a video by the folks at Korduroy TV. This was hipped to me by NC's own, Ryan Tatar.
I noticed some Greg Weaver footage in there. Duane and I interviewed him in Park City a couple years back. Mr. Weaver proved to be both humble and hilarious. I'm sure that Duane would agree that hanging with him was the highlight of our trip. Here is a snippet of that interview:
Friday, April 02, 2010
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I'm working on a holiday, but it appears some some other folks are, too. I spotted this beauty in a University parking deck on my way in. While I'll toil away for the next several hours, I'd rather be driving this down a windy, sun-drenched road. Oh well.
From wiki:
The fixed-roof MGB GT was introduced in October 1965 and production continued until 1980, although export to the US ceased in 1974. The MGB GT sported a Pininfarina-designed hatchback body. The new configuration was a 2+2 design with a right-angled rear bench seat and more luggage space than in the roadster. Relatively few components differed, although the MGB GT did receive different suspension springs and anti-roll bars and a different windscreen which was more easily and inexpensively serviceable. Early prototypes such as the MGB Berlinette produced by the Belgian coach builder Jacques Coune utilized a raised windscreen in order to accommodate the fastback.
Acceleration of the GT was slightly slower than that of the roadster due to its increased weight, though handling improved due to significantly increased chassis rigidity and perhaps slightly better weight distribution. Top speed improved by 5 mph (8 km/h) to 105 mph (170 km/h) due to better aerodynamics.
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art,
design,
transportation
Tuesday, March 30, 2010
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To Have & To Hold is a 'musicmentory' to celebrate the age of vinyl records...including interviews, fresh graphics and good music. Directed by Jony Lyle for Goosepimple Productions 2010.
Friday, March 12, 2010
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Artist and friend-extraordinaire, Mr. Duane Fernandez, is currently visiting our old stomping grounds of Hermosa Beach, CA. While having lunch at Los Muchachos, he came across a PDUB sticker placed about 5 years ago. Duane produced these stickers from a stencil he made shortly after Powell "PDUB" Williams was killed by a drunk driver in March of 2005. For both of us, he was as close of a friend as you could have. He is no less missed today as the day he left us.
In honor of Powell, Corrina and I are volunteering and walking with MADD in Raleigh, NC on March 20th. We'd love for you to join us! If you're able, we'd greatly appreciate a donation to support a charity so dedicated in ending these daily (and avoidable) tragedies. Please visit Corrina's MADD page for more information.
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art,
pdub,
photos
Wednesday, January 20, 2010
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Here's a 60's to early 70's compilation of rock and folk with psychedelic tinges. All of the tracks have an underlying tie to animals (the creatures, not the band). As per usual, there are some ubiquitous selections intermixed with obscure, and sometimes odd tunes. I hope this isn't selling some of these short, but a few of the songs are so bad (not really) that they're good. As always... enjoy!:
Just in case... the cover and title are an homage to the exploito-psychedelic bands and compilations from the sixties. Facetiousness is hard to communicate in print.
There are just way too many interests and hobbies that I'm probably about 70% invested in. I suppose that's just enough to not be labeled "half-assed." This page is an attempt to pass along these attractions.
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